123 – Collage Criticism
Today’s Atlas is a collage of text. I have attached quotes I find interesting. The impetus for this was an article by Steve Cottingham shared with…
Today’s Atlas is a collage of text. I have attached quotes I find interesting. The impetus for this was an article by Steve Cottingham shared with…
Katie Commodore is an old friend. I am biased to be certain, but I feel as though Katie’s work, mostly small and always erotic, is worth…
What are the machinations and motives involved in exhibiting massive art in a gallery? Last week, Richard Serra’s Equal at Zwirner left me numb. I saw…
As a kid, I loved Legos. I usually followed the instructions. When I broke free and did something different it ended up symmetrical and obvious. Since…
FOLD at Planthouse opens tonight. Here are my thoughts on the show, the artists, curating and paper frogs: A few notes on FOLD: When we started,…
FOLD at Planthouse I am honored (people say that plenty, but I really am honored) to be co-curating FOLD at Planthouse with Rachel Gladfelter. The…
Why must they always kill painting? I realize some of these critics speak in jest, some mean it and are in it to make a name…
I learned about Pablo Neruda from the Simpsons in an episode where Bart sells his soul. I learned about classic film, scientific theories and television…
This is the next entry in my series of Atlas Discussions. Here Tanja Hollander and I discuss her recent projects Act Fast Friday and Are You…
Alex Da Corte’s show Die Hexe at Luxembourg & Dayan is the perfect place to dissolve oneself. It frankly seems possible. You make it to…