180- May Tveit /return of Atlas
It has been a few years, but I am resurrecting Atlas to share May Tveit’s exhibition with you. You can see all of the images by…
[This post is co-published by Atlas and Two Coats of Paint] In Sahana Ramakrishnan’s imagery, I find myself absorbed in detail and affected by the many…
This week a brief list of the wonderful work that friends of Alumni have put into the world recently! Exhibitions in NYC: Jeri Coppola “In Search…
“Blues for Appropriation: or how I chose to consider but not review a press release by and about a Kara Walker exhibition in a commercial…
A body is never just a sum, though identity categories can trick us into thinking this way. Yet the significance of a body is irreducible to…
Seeing a single work in its intended context, or any context that feels like its home, makes all the difference. It had been years since I…
My caution as a driver is directly related to having small children. In the past few years I found myself being more cautious in everything. This…
John Baldessari’s “Painting for Kubler” in the exhibition John Baldessari: Paintings 1966-1968 at Craig F. Starr Gallery (The large scale text below is part of the…
Last week the Paris Review published this piece by Kyle Chayka about his time at The Aldrich Museum. He was a guard for an installation by…
The entrance to MASS MoCA was presented to me after I passed dripping eaves and pock-marked black top and an icicle edged overhang and a…