64th – Cage and Sound closely considered
Barbara London’s Soundings at MoMA and it’s related events made a great impression on me in 2013. William Anastasi’s sound works, a performance of Drumming by…
Barbara London’s Soundings at MoMA and it’s related events made a great impression on me in 2013. William Anastasi’s sound works, a performance of Drumming by…
There are many great shows on at the Met right now. Do your best to see as many of them as you can. William Kentridge “The…
The Common, an arts journal I have contributed to in the past (Jeremiah Dine and Rachel Barrett), recently published this piece I wrote about Martha Willette…
A few weeks back I went and saw Brice Marden: Graphite Drawings at Matthew Marks as well as Ad Reinhardt at David Zwirner. The Ad Reinhardt…
Incomplete. Unfinished. Tentative. I say these words often in the conversation about art. The connotations of these terms are clear, but I think they can be…
Gorky’s Granddaughter is a website dedicated to giving anyone access to a studio visit. It is the kind of homegrown project that becomes a reality due…
The lists that fly around this time of year cause the same sort of rubbernecking you get on the road after an accident. I slow down,…
Last weekend Flat /Not Flat, the show I curated at Artspace New Haven, opened. I have images and my statement for the show below. At the bottom I…
I am pleased to announce that a show I curated at Artspace New Haven is opening this week featuring the work of Jennifer Davies, Karen Dow, Alisa Dworsky and Martha Lewis. The…
Below is my essay for Mary Temple’s current exhibition: Mary Temple Half Round, 2013 from the series Light Installations, (2002-Present) Olson Gallery, Bethel University, St. Paul,…