Atlas – 24th – Trockel
I chose to see Rosemarie Trockel: A Cosmos at the New Museum because I didn’t know what to expect. I wanted to be put off. The…
I chose to see Rosemarie Trockel: A Cosmos at the New Museum because I didn’t know what to expect. I wanted to be put off. The…
The holidays are upon us and before all the gifted Godiva and homemade rosemary shortbread are consumed, I needed to go see all of these shows…
The Bubble, The End is Nigh, and other predictions from the Chicken Little Parade Blake Gopnik’s well reasoned if maybe a little (tinfoil-hat-to-keep-them-out-of-my-head) paranoid article Pop…
MoMA should be applauded (and then given a silent disapproving head shake) for the creation of Tokyo 1955-1970: A New Avant-Garde. What a preposterous and presumptuous…
Munch @ MoMA I guess the real question is, who cares about The Scream? The Times got it right, if you’re willing to put up with…
My best wishes for a quick recovery go out to those who have lost and continue to lose their businesses and homes. After Sandy there are…
This issue of Atlas contains an interview with the Gallerist/Owner of P! & Project Projects studio principal Prem Krishnamurthy by Ken Becker. In speaking with Ken,…
I know what Digital art is. Web-based art is unsellable so it is clearly “capital A” Art. Digital images are okay, except when they aren’t. Photographs that…
Gutai is a word you should learn soon. Japanese artists banded together in the mid 50’s, barely a decade after WWII most final of conclusions. They saw…
Arriving like Wile E Coyote’s 1000 lb. anvil (always dropping at the right time if you’re the Roadrunner), September’s Artforum 50th Anniversary issue is massive. It…