104 – “The show” and some shows
Atlas is passion project. I enjoy reading and writing about art. Why not write something? There’s no price for entry to writing. I can only see…
Atlas is passion project. I enjoy reading and writing about art. Why not write something? There’s no price for entry to writing. I can only see…
As the birds and art dealers fly south to Miami, I wanted to present a post-Black Friday book list. A year ago, some friends and I…
Jean Dubuffet: Soul of the Underground, the least well publicized thing on at MoMA now, is a discreet, quiet show you might otherwise miss. The show…
Erik Hougen: To Dissolve Place written for The Common Studio, part of The Common. In reference to photography, Roland Barthes wrote that its unique position…
Someone who loves film cannot help but become awash in nostalgia within a few minutes of entering the warm embrace of Christian Marclay’s The Clock.…
Walking into the Rubin Museum I expected very little from the exhibition of Francesco Clemente, ostensibly the result of his decades of conversation with India and…
Sometimes I find an article so compelling its the only thing I want to talk about. This is that. Author Ben Lerner’s argument in Damage Control,…
This is a list of Capital A Art places and specifically immersive art installations that are site specific. Jori Finkel’s recent piece on the American non-collecting…
Below are previews to three shows that I am looking forward to this month. Please keep your eyes open for all of these artists. If…
The BRIC Biennial is intriguing, mismatched and unsure of itself. Luckily much of the art is good. Jean Shin‘s chains dangling in the center of…